The Scotsman named it as a highlight of the Edinburgh Fringe Festival 2018, while The Stage gave the show 5 stars, commending the way the show ‘nailed the zeitgeist’ in its portrayal of ‘compelling verbatim accounts of mental health crises, performed by those... Continue Reading →
At a fringe where the issues surrounding mental health form a major theme, Where It Hurts, from Edinburgh’s Grassmarket Projects, not only nails the zeitgeist but reveals it using authentic voices as it takes verbatim theatre to its logical conclusion.... Continue Reading →
Check the final work of the theater director Jeremy Weller and his extremely moving performance and the audience’s feedback. Where it Hurts – an hour long performance involves members of different communities from across Edinburgh and some former staff of the... Continue Reading →
Thomas’ attempts to love and to be loved – we see many of the women in his life on stage, along with many of his victims from whom he seeks forgiveness. Grassmarket Projects work specifically within communities, providing a platform... Continue Reading →
Doubting Thomas is the true story of one man’s personal struggle to change from a tortured and violent past to a better, more hopeful future. The play is an intricate study of those that which society fears the most are... Continue Reading →
First and foremost, this is a tribute to the NHS and its phenomenal capacity to scoop people up, patch them up and send them on their way. But at the same time, it sweeps up politics (funding allocation), economics (drug... Continue Reading →
That health inequality is just as true in Edinburgh as is made clear in Where It Hurts (Summerhall, until 26 August), a piece by Jeremy Weller and the Grassmarket Project in which non-actors share real life personal stories. Edinburgh streets, just a... Continue Reading →
In a nutshell: Grassmarket Projects director Jeremy Weller has assembled a cast of non-actors – both erstwhile NHS patients and health care workers – and devised a script based on their experiences of the health system that’s relayed as if spontaneously... Continue Reading →
Unlike most productions at the fringe, Where It Hurts is an authentic piece performed entirely by non-actors, directed – or perhaps curated – by Jeremy Weller. An examination of NHS care by a cast of both patients and staff, these raw and... Continue Reading →
